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louie-banks:

Kurt Herbst, Solomon Thompson and Adam Wiseman by Louie Banks
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pursuable:

Jean-Baptiste MondinoMan Looking at the Origin of the World
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theartofanimation:

Charles Santore
theartofanimation:

Charles Santore
theartofanimation:

Charles Santore
theartofanimation:

Charles Santore
+
inthemoodtodissolveinthesky:

Frida Kahlo, Viva la vida, Sandias, 1954
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+
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
darksilenceinsuburbia:

Adam Lupton
What’s in store for me in the direction i don’t take?
“… the moments when everything is open, when all options are present, and all is undecided – mere destinies unfolding. Our choices shift into one plane of existence, the extension of every path still available, until we pick the red tie instead of the blue; harbor anger instead of compassion; attempt to fix it or break it; and all our possibilities collapse into the singular of what is, rippling outward from the moment of decision to affect our lives in ways unknown… The noise at the back of our mind wondering anxiously, What’s in store for me in the direction I don’t take?”

Website
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schu-schu:

Gallhof-Wilhelm-1878-Iserlohn-1918-gefallen-The-Coral-Chain
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asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
asylum-art:

Persephone by Mario Ville (Kattaca)  

Photo: Alvaro VillarrubiaStylists: Mario Ville (Kattaca)Make up & Hairdresser: Rocio CuencaModel: Didi MaquiaveliAssistant: Antonio Velasco
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chiffonandribbons:

Franck Sorbier Couture S/S 2014
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powerful-art:

400 year old marble statue of Pluto and Proserpina.
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foie:

powerful-art:

Rossy de Palma, by Jorge Represa.

this profile is perfect
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tvpartyorchestra:

Lee Jin Ju
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